The production team, he suggests, operates on their own unique wavelength, ensuring they’re not constrained by industry standards or conventions. The actor hinted that fans might have to hold their breaths a little longer. Yet, this unwavering quest for excellence may carry its own cost. What I can promise is they are not going to stop until it’s excellent.” What they did on the first one is all the directors became executive producers. "Here’s what I can promise, and I said it about the second one when we were in the middle of it: Phil Lord, Chris Miller, everybody, the producers on this, the directors they’re going to bring in. Weaving would be bloodcurdling, no doubt - just the way he removes his sunglasses in The Matrix's interrogation scene oozes barely contained disgust and hateful vengeance.Johnson's conviction is palpable as he elaborates, He may be immortalized (pun unintended) as Elrond in Peter Jackson's The Lord of the Rings trilogy, but for those of a certain age, he pulled double duty in the late 1990s and early 2000s by also inhabiting The Matrix's Agent Smith (and his assortment of clones). Gender needn't be considered, especially for a shapeshifter made up of floating orange orbs.Īnother iconic actor with an ironclad history of villainy was none other than Hugo Weaving. Although King refers to Pennywise as "him," the alien creature goes by "It" as much as anything. Additionally, she defied gender norms with Orlando and Constantine. She defined a generation of ice-cold villainy in The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, mastered passionate vampire predation in O nly Lovers Left Alive, and seduced as the graceful leader of a witch coven in Suspiria. Swinton is one of the greatest actresses to exist, period. Barbara Muschietti revealed they didn't consider gender when casting the dancing clown and looked at "a huge gamut of talent women, younger age, older age." Swinton had scheduling conflicts that kept her from even auditioning, but this would have been a casting coup from heaven. The one and only Tilda Swinton came within a hair's breadth of Pennywise. Fukunaga's thoughts on Rylance's audition aren’t known in detail, but multiple outlets confirmed that Rylance made the final three. Imagining Rylance as Pennywise is enough to induce a shiver. He's a master of minimalist humanity, especially in Bridge of Spies where his role dances the dance of Cold War enmity. There's little Rylance can't do with his connoisseur's instincts, whether it's the title role of the Big Friendly Giant in Steven Spielberg's The BFG or Satan in Terrence Malick's upcoming The Way of the Wind. Rylance is a Shakespearian-trained actor with a list of credentials ten miles long: he won the Academy Award for Best Supporting Actor in Bridge of Spies as well as two Tony Awards. While in the director's chair, Fukunaga also eyed British thespian Sir Mark Rylance. His acting choices cant toward the unexpected and are all the more searingly engaging for it. Whatever situation led to a Mendelsohn-less Pennywise, paying attention to anyone else is impossible when Mendelsohn's spinning an aura of hypnotic inquietude. That isn't confirmed, and anonymous sources usually aren't too reliable. Combined with his indie credentials (Killing Them Softly, The Place Beyond the Pines, and Mississippi Grind), Mendelsohn proved himself as exemplary a character actor as any in recent memory.Īn anonymous source claims Mendelsohn turned down Pennywise because studio executives were concerned about It's budget and lowered the actor's salary. Reportedly, Fukunaga wanted to cast Ben Mendelsohn, a reputable actor in every circumstance but one who shined as a complicated baddie in Animal Kingdom, the Netflix series Bloodline (for which he won an Emmy Award), and Rogue One: A Star Wars Story. The 2017 film's R-rating would allow the freedom to be as graphic as King's words, so it was a tall order to live up to two different but complimentary images of King's most culturally recognizable creation. We young ones thought Tim Curry was bad? Oh, the horrors awaiting us once we were older and met the real, uncensored thing. It was published in 1986 and petrified existing King fans and casual readers alike. It's a balancing act familiar to remakes and reimaginings: infuse Stephen King's abhorrent monster with unique ideas but not lose the forest for the trees. Any actor donning white makeup and floppy shoes for a modern Pennywise needed to be recognizable enough to ring true but as far from a carbon copy as possible. This writer can testify to having nightmares after just a glimpse of the cackling, balloon-dispensing clown. Although Tommy Lee Wallace 's 1990 miniseries is stylistically dated by today's standards and hampered by a network TV budget, the venerable Tim Curry's exquisitely vile performance as Pennywise cast a long and nigh-indomitable shadow.
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